Krešić, Martina (2013) Moderna dagerotipija. Master's thesis - Graduate Programme. Grafički fakutet. [Mentor: Mikota, Miroslav].
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Abstract
Dagerotipija je bila prva praktična metoda zapisa slike pomoću svjetla. Nazvana je prema Loisu Jacquesu Mandeu Daguerreu koji je nakon proučavanja heliografije razvio svoju tehniku izrade direktnih pozitiva na bakrenim pločama oslojenim fotoosjetljivim slojem. Ova tehnika je u vrijeme nastanka dovela do unaprjeđenja znanosti i istraživanja, no krajem 19. stoljeća zamijenjena je novim tehnikama izrade fotografija. Tek polovicom 20. stoljeća ova empirijska metoda se znanstveno počinje istraživati i definirati. Ovaj rad bavi se nastankom i poviješću dagerotipije, njenom izvornom tehnikom te raznim pristupima i principima izrade dagerotipija devetnaestog stoljeća, njihovim unapređenjima i danas, potencijalno, aktualnim rješenjima. Uspoređuju se razni postupci i njihove razlike te analizira njihova primjenjivost u današnje vrijeme. U praktičnom dijelu izrađuju se dagerotipije jednom od klasičnih tehnika te se istražuje optimalno vrijeme eksponiranja i otvora objektiva uz zadane uvjete snimanja. Također se razmatra mehanička i kemijska zaštita dagerotipija koje zbog specifičnih svojstava izrade ostaju izuzetno osjetljive na atmosferske uvjete. Rezultat praktičnog dijela prikazuje se kao umjetnički portfelje dagerotipije.
Item Type: | Master's thesis - Graduate Programme |
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Mentor name: | Mikota, Miroslav |
Defence date: | 23 September 2013 |
Abstract in english: | Daguerreotype was the first practical method of recording images by using light. It was named by Lois Jacques Daguerre Mandela who after studying heliography, developed his technique of making direct prints on copper plates coated with photosensitive layer. Occurrence of this technique led to the improvement of science and research, but in the late 19th century it has been replaced by new techniques of making photographs. It was in second half of the 20th century that this empirical method started being explored and defined scientifically. This paper deals with the origin and history of the daguerreotype, its original technique and various approaches and principles of making daguerreotypes of the nineteenth century, their potential improvement today and current solutions. Various methods with their differences are being compared and analyzed together with their applicability in the present time. In the practical part daguerreotypes are made with one of the classic techniques with exploration of the optimal exposure time and aperture to set the shooting conditions. It also discusses the mechanical and chemical protection of daguerreotypes that due to the specific characteristics of production remain extremely sensitive to atmospheric conditions. The result of the practical part is displayed as an art portfolio of daguerreotypes. |
Uncontrolled Keywords: | Dagerotipija,fotografija, izrada, znanost, umjetnost |
Keywords in english: | Daguerreotype, photo, production, science, art |
Subjects: | TECHNICAL SCIENCES > Graphic Technology |
Institution: | Grafički fakutet |
City: | Zagreb |
Number of Pages: | 46 |
Callnumber: | mik 2013 krem |
Inventory number: | DB300 |
Depositing User: | Dora Budić |
Status: | Unpublished |
Date Deposited: | 16 Apr 2014 07:18 |
Last Modified: | 16 Apr 2014 07:18 |
URI: | http://eprints.grf.unizg.hr/id/eprint/1543 |
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