Šutić - Stanec, Mateja (2014) Fotogram. Baccalaureus work - Undergraduate programme. Grafički fakultet. [Mentor: Mikota, Miroslav].
PDF
Z485_Sutic-Stanec_Mateja.pdf Restricted to Registered users only Download (1MB) |
Abstract
Fotogram predstavlja jedinstveni oblik umjetnosti koja zahtijeva samo djelovanje svjetla na fotoosjetljivi supstrat.te se izraĎuje bez prisustva foto aparata isključivo se radi u foto laboratoriju. Osim klasičnih fotograma, postoje i druge kombinacije kao što je npr. fotogrami sa staklom, fotogrami s negativima te prvi oblici fotograma, takozvane cijanotipije čija je izrada opisana u ovom radu. Povijest fotografije je prošarana mnogim umjetnicima koji su svojim načinom izraţavaja razvili tehniku to jest stil, te na taj način postali dio povijesti umjetnosti. Prvo razdoblje najstajanja fotograma temeljilo se na istraţivanju čiji je cilj bio dobiti znanstvene primjerke odnosno dokaze na temelju korištenja prirodnih objekata ( npr. Anna Atkins). Drugo razdoblje fotograma je njihovo ponono otkrivanje, ali u svrhu umjetničkog potencijala kao što je prikazano kroz radove Christian Schada, Man Raya i Lazlo Moholy-Nagyja u dadaističkom, nadrealističkom i konstruktivističkom razdobljiu umjetnosti i nadrealne slike.
Item Type: | Baccalaureus work - Undergraduate programme |
---|---|
Mentor name: | Mikota, Miroslav |
Defence date: | 16 September 2014 |
Abstract in english: | The photogram represents a unique art form requiring only the action of light on a photosensitive substrate. Photograms represent a way of making images without camera. It only works in a photo labaratory. Besides the classic photograms , there are other combinations such as: photograms on glass, photograms with negatives and the first forms of photograms, called cyanotype whose preparation is described in this paper. The history of photography is punctuated by practitioners who have developed a technique or style that has become a part of art history. The first period of “photogram” exploration was to gain scientific record of natural objects (e.g. Anna Atkins). The second period was a rediscovery of the artistic potential as illustrated by Christian Schad, Man Ray and Lazlo Moholy-Nagy in the Dada, Surrealist and Constructivist periods of art, respectively. |
Uncontrolled Keywords: | fotogram, povijest, cijanotipija |
Keywords in english: | photogram, history, cyanotype |
Subjects: | TECHNICAL SCIENCES > Graphic Technology |
Institution: | Grafički fakultet |
City: | Zagreb |
Number of Pages: | 53 |
Callnumber: | mik 2014 šut |
Inventory number: | Z485 |
Depositing User: | Antonia Grgurović |
Status: | Unpublished |
Date Deposited: | 19 Sep 2014 10:29 |
Last Modified: | 19 Sep 2014 10:29 |
URI: | http://eprints.grf.unizg.hr/id/eprint/2062 |
Actions (login required)
View Item |