Mobilna fotografija kao alternativa i u službi umjetničke fotografije

Šarić, Maja (2015) Mobilna fotografija kao alternativa i u službi umjetničke fotografije. Master's thesis - Graduate Programme. Grafički fakultet. [Mentor: Mikota, Miroslav].

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Abstract

Izum fotografije i njezina široka uporaba već oko 1830. godine omogućila je širokoj masi uživanje u novoj tehnici izrade slika, koja se odlikuje brzinom, točnošću reprodukcije i mogućnošću umnožavanja. Razvojem i usavršavanjem procesa i tehnika, fotografija je dovedena do digitalnog oblika. Moderno doba donosi razvoj mobilnih uređaja s kamerom te iz istog razloga fotografija počinje predstavljati moćan alat i medij dostupan svima. Razvojem mobilnih uređaja s kamerama enormno velikih senzora i razlučivosti u kombinaciji s rastom popularnosti online fotografskih servisa i društvenih mreža, mobilna fotografija preuzela je dominaciju u razvoju fotografije i danas predstavlja ogranak umjetnosti s kojim se najčešće susrećemo u životu. Fotografijom možemo prikazati svijet i život oko nas, prenijeti poruku ili izraziti misao, stoga bi bilo nepošteno smjestiti mobilnu fotografiju u jedan kalup poput „selfija“, što mnogi kritičari rade. Kako i čime autor fotografije može izraziti ono što je doživio, onaj odlučujući trenutak u kojem neka radnja otkriva svoj dublji smisao, ili ljudsko lice izražava nečiju narav? Temelj navedenoga počiva na umjetničkom daru autora fotografije, a ne na tehničkom postupku, iako na istom fotografija nastaje. Ovaj rad se bavi navedenom problematikom razvoja fotografije, u smjeru mobilne fotografije, i koliko je, kao takav, moguć razvoj izraza te ljepote u umjetničkom djelu.

Item Type:	Master's thesis - Graduate Programme
Mentor name:	Mikota, Miroslav
Thesis Committee:	Mrvac, Nikola and Mikota, Miroslav and Žiljak Stanimirović, Ivana
Defence date:	6 October 2015
Abstract in english:	The invention of photography and its widespread use made it possible for general public to enjoy the new technique of imaging as early as around 1830. Photography has always been known for its speed, accurate reproduction and possibility of multiplication. Through constant development and improvement of processes and techniques used, it has been brought into digital form and further integrated into everyday mobile phones. Today, every mobile phone produced is equipped with a camera, which makes it a powerful tool and an easily accessible medium. With the developement of mobile phones with cameras that feature enormously large sensors and resolution, combined with the increasing popularity of online photo services and social networks, mobile photography has assumed dominance in the development of photography and has now become the most commonly encountered form of art. We can use photography to show the world and life around us, to convey a message or express a thought, which would make it rather unfair to place mobile photography under a single label such as selfies, as many critics do. How can a photographer express what they have experienced, the decisive moment in which an action unveils its deeper meaning, or a human face reveals the person's character? The decision is left to the artistic gift of the photographer, instead of the technical process, even though it's the way a photograph is created. This paper will deal with this specific issue of mobile photography, and the level of creating expression and beauty in a work of art.
Uncontrolled Keywords:	fotografija, mobilna fotografija, umjetnost, kompozicija
Keywords in english:	photography, mobile photography, art, composition
Subjects:	TECHNICAL SCIENCES > Graphic Technology
Institution:	Grafički fakultet
City:	Zagreb
Number of Pages:	32
Callnumber:	mik 2015 šar
Inventory number:	DB435
Depositing User:	Elizabeta Rybak Budić
Status:	Unpublished
Date Deposited:	16 Oct 2015 14:17
Last Modified:	16 Oct 2015 14:17
URI:	http://eprints.grf.unizg.hr/id/eprint/2419

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