Pejzaži bez kolora

Borak, Mihaela (2016) Pejzaži bez kolora. Master's thesis - Graduate Programme. Grafički fakultet. [Mentor: Mikota, Miroslav].

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Abstract

Crno-bijela fotografija nikad nije izumrla, unatoč razvoju tehnologije te je i dalje je prisutna tehnika fotografskog izražavanja. Podsvjesno je lakše prihvatiti crno-bijelu fotografiju kao umjetničku, dok ona u koloru predstavlja svijet onako kako ga se približno vidi te se može shvatiti kao dokumentarnu fotografiju. Prilikom snimanja crno-bijele fotografije digitalnom opremom, svakako se mora imati na umu osnovne stvari koje vrijede i kod klasične fotografije, a uvelike omogućuju da finalna fotografija zadovolji neke osnovne kriterije kvalitete. Danas, u digitalnom dobu, kolor fotografije naknadno se pretvaraju u crno-bijele fotografije pomoću softverskih metoda na računalu. Time se postiže da fotografija ostavi potpuno drugačiji dojam te se umjesto boja naglašavaju oblici i kompozicija. U ovom radu se obrađuje snimanje pejzaža digitalnim fotografskim aparatom. Opisani su tehnički elementi na koje treba obratiti pozornost pri snimanju uspješne fotografije pejzaža. Prilikom izrade pejzažne fotografije, osnovni dijelovi opreme su tijelo fotoaparata, pravilan objektiv i stativ. Najvažniji je stativ koji fiksira fotoaparat i omogućuje da detalji na fotografiji budu čisti i oštri. Istražuje se kako doći do zadovoljavajućih rezultata pri konverziji pejzažne fotografije u koloru u pejzažnu crno-bijelu fotografiju i kojim načinima se to može postići. Napravit će se autorske pejzažne fotografije koje će služiti kao primjeri.

Item Type:	Master's thesis - Graduate Programme
Mentor name:	Mikota, Miroslav
Thesis Committee:	Žiljak Stanimirović, Ivana and Mikota, Miroslav and Mrvac, Nikola
Defence date:	4 July 2016
Abstract in english:	Black-white photography has never died out; technique of photographic expression is still present despite the development of the technology. Subconsciously it is easier to accept black and white photos as artistic photography, while in colour it represents the world as we roughly see it, and it can be seen as documentary photography. When shooting black-white photos with digital equipment, we particularly have to remember the basic things that apply for the classic photos, and which will greatly enable our final photo in meeting some basic quality criteria. Today, in the digital age, colour photographs are subsequently converted into black-white photographs using software methods on a computer. This ensures that the photographs leave a totally different impression, whereas shapes and composition are emphasized instead of colour. This thesis deals with the landscapes shot by digital camera. We have described technical elements that need to be taken into account when taking a successful photo of landscape. When creating landscape photos basic pieces of equipment include the camera body, proper lens and a tripod. The most important is the tripod which fixes the camera and allows for the details in the photograph to be clean and sharp. There is an attempt to explore how to reach satisfactory results in the conversion of landscape photographs in colour into landscape black-white photographs and the ways this can be achieved. Author’s landscape photos will be taken which will then serve as examples.
Uncontrolled Keywords:	Digitalna crno-bijela fotografija, konverzija, pejzažna fotografija, crno-bijela pejzažna fotografija
Keywords in english:	Digital black-white photograph, conversion, landscape photograph, black-white, landscape photograph
Subjects:	TECHNICAL SCIENCES > Graphic Technology
Institution:	Grafički fakultet
City:	Zagreb
Number of Pages:	56
Callnumber:	MIK 2016 BOR
Inventory number:	DB522
Depositing User:	Nina Jelača
Status:	Unpublished
Date Deposited:	07 Jul 2016 11:41
Last Modified:	07 Jul 2016 11:41
URI:	http://eprints.grf.unizg.hr/id/eprint/2490

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