Kos, Jurica (2016) Usporedna analiza klasičnog i digitalnog fotografskog sustava. Master's thesis - Graduate Programme. Grafički fakultet. [Mentor: Mikota, Miroslav].
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Abstract
U svakodnevnom životu svi smo svjedoci korištenja, ali i prednosti digitalne fotografije i njezinog pohranjivanja. Fotografija se pojavljuje u mnogim područjima, no ovdje je naglasak stavljen na usporedbu klasične fotografije srednjeg formata i digitalne fotografije leica formata. Digitalni fotografski aparati omogućuju pregled snimaka na licu mjesta (bez razvijanja), što znači da fotograf može lako uočiti greške kod snimanja i ispraviti ih dok još nije prekasno. Postavlja se pitanje: Zašto određeni profesionalci još uvijek fotografiraju na film? S druge strane, mnogi fotografi s digitalnim sustavima pomoću obrade pokušavaju emulirati estetiku filma dobivenog klasičnim sustavima. Činjenica je da i danas uz svu tehnologiju postoji određena fascinacija koja obavija klasične sustave. Ta fascinacija može ležati u samim ograničenjima sustava koja fotografa tjeraju na pomno promišljanje kadrova, estetici filma koja se dugi niz godina provlači u obradi digitalnih fotografija (na kraju krajeva i popularna društvena mreža „Instagram“ počiva na toj polazišnoj točki). Kroz istraživanje i praktičnu analizu, cilj je objektivno razlučiti tehničku i emocionalnu vrijednost navedenih sustava te financijsku isplativost.
| Item Type: | Master's thesis - Graduate Programme |
|---|---|
| Mentor name: | Mikota, Miroslav |
| Thesis Committee: | Žiljak Stanimirović, Ivana and Mikota, Miroslav and Mrvac, Nikola |
| Defence date: | 27 September 2016 |
| Abstract in english: | In everyday life we are all witnesses of use, but also the benefits of digital photography and its storage. Photography appears in many areas, but here the emphasis is placed on the comparison of classical medium format photography and digital photography SLRs. Digital cameras allow you to view images on the site (without development), which means that the photographer can easily spot the errors and correct them before it's too late. The question is: Why do certain professionals still use film photography? On the other hand, many digital photographers use software processing trying to emulate the aesthetics of the film obtained by conventional systems. The fact is that even today with all the technology there is a certain fascination that surrounds the classical systems. This fascination may lie in a single system constraints forcing photographers to closely examine the framing, the aesthetics of the film, which for many years are being emulated in digital photography (popular social network "Instagram" is based on that starting point). Through research and practical analysis, the goal is to objectively distinguish technical and emotional value of those systems, and financial viability. |
| Uncontrolled Keywords: | klasična fotografija, digitalna fotografija, negativ, estetika, obrada. |
| Keywords in english: | Film Photography, Digital Photography, Negative, Aesthetics, Software processing |
| Subjects: | TECHNICAL SCIENCES > Graphic Technology |
| Institution: | Grafički fakultet |
| City: | Zagreb |
| Number of Pages: | 37 |
| Callnumber: | MIK 2016 KOS |
| Inventory number: | DB549 |
| Depositing User: | Nina Jelača |
| Status: | Unpublished |
| Date Deposited: | 14 Nov 2016 10:47 |
| Last Modified: | 14 Nov 2016 10:47 |
| URI: | http://eprints.grf.unizg.hr/id/eprint/2602 |
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