Interakcija ljudskog bića i prostora kroz autoportret

Nestić, Ivona (2017) Interakcija ljudskog bića i prostora kroz autoportret. Master's thesis - Graduate Programme. Grafički fakultet. [Mentor: Mikota, Miroslav].

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Abstract

"Interakcija ljudskog bića i prostora" može se skratiti u "proučavanje" autoportretne fotografije, s posebnom pažnjom na jednom od elemenata analize - odnos figure i pozadine. Autoportret je vizualni umjetnički izričaj i kao takav postoji oduvijek. Iako je počeo kao vježba tehnike, umjetnici ga u renesansi preuzimaju za prikazivanje svog identiteta, dodajući svome liku odjeću, pozadinu i predmete koji su davali informacije o zanimanju i statusu. Isto je tako počeo i u fotografiji. Danas se susreću praktični „selfie“ autoportreti koji svima omogućuju kontroliranje osobnog prikaza i prenošenje informacija. Potreba za stvaranjem našeg prikaza seže daleko u povijest. Tipična je jedino za ljude i ima psihološki značaj zbog efekta davanja važnosti prikazanome time što smo odlučili da će biti zabilježeno. Eksperimentalno su stvoreni razni tipovi autoportreta - ambijentalni, simbolički i "selfie" autoportreti. Prikupljene su informacije o glavnim komponentama umjetničkog djela – temi, formi i sadržaju - te je zatim po uputstvima za analizu obavljena analiza radova. Objektivna analiza poruke koju fotografija prenosi pomogla je izgradnji samokritike i razumijevanju kreacije fotografijom. Ovaj rad ima potencijal osvijestiti o sveobuhvatnosti fotografskog autoportreta, educirati i potaknuti na dodatno istraživanje. Radovi imaju potencijal biti dio serije autoportreta.

Item Type:	Master's thesis - Graduate Programme
Mentor name:	Mikota, Miroslav
Thesis Committee:	Žiljak Stanimirović, Ivana and Mikota, Miroslav and Mrvac, Nikola
Defence date:	26 September 2017
Abstract in english:	“The interaction between human being and nature” can be shortened to “study” of self-portrait photography, with special emphasis on one of the elements of analysis – the relation between figure and background. Self-portrait was always present as a mean of artistic expression. Even though it started as an exercise in technique, in renaissance it served the artists as a way of showing more about their identity. Adding clothes, background and objects to the portrait showed more information about their profession and status. First that happened with painters and later with photographers as well. Today there are practical selfie self-portraits that allow everyone to control their personal presentation and communication of information. The need to create our own depiction dates far back in history. It is typical only for humans. The psychological importance is in giving value to something simply by deciding that it will be captured. In this work three types of self-portraits have been created – ambient, symbolist and selfie self-portraits. Theoretical information about the main components of artwork (subject, form and content) had been gathered. Analysis of original artworks had been performed following the rules of formal analysis. The objective analysis helped to establish understanding of the creation of photography and to obtain a healthy dose of self-criticism. This work has the potential to bring to consciousness the full scale of selfportrait photography, to educate and inspire for further research. The presented artworks have the potential to be a part of a self-portrait series.
Uncontrolled Keywords:	lik, pozadina, autoportret, interakcija, analiza
Keywords in english:	form, background, self-portrait, interaction, analysis
Subjects:	TECHNICAL SCIENCES > Graphic Technology
Institution:	Grafički fakultet
City:	Zagreb
Number of Pages:	51
Callnumber:	MIK 2017 NES
Inventory number:	DB663
Depositing User:	Nina Jelača
Status:	Unpublished
Date Deposited:	29 Jan 2018 10:00
Last Modified:	29 Jan 2018 10:00
URI:	http://eprints.grf.unizg.hr/id/eprint/2793

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