Kompozicija kao koncept u vizualnim disciplinama i njena uloga u umjetničkoj fotografiji

Ujdenica, Lana (2017) Kompozicija kao koncept u vizualnim disciplinama i njena uloga u umjetničkoj fotografiji. Master's thesis - Graduate Programme. Grafički fakultet. [Mentor: Mikota, Miroslav].

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Abstract

Tema ovoga rada je dubinska analiza kompozicije kao koncepta u kontekstu umjetnosti i njene uloge i značaj u umjetničkoj fotografiji. Ovaj teoretski istraživački rad temelji se na proučavanje postojeće literature o umjetnosti i utjecaju vizualnih podražaja na čovjeka i primjenu tih znanja na fotografiju metodom analize, odnosno razlaganja problema na njegove komponente s ciljem opisivanja važnosti kompozicije i njene uloge u umjetnosti, konkretnije fotografiji. Problem je obrađen interdisciplinarno. Proučena literatura proteže se područjima psihologije, biologije, fizike, filozofije i tehničke znanosti iz fotografije iz čega je zaključeno da ljudski mozak lijepim smatra ono što je evolucijski za taj organizam dobro, što je, vrlo često, upravo simetrija, odnosno harmonija i sklad. Upravo pravila i načela komponiranja opisana u ovome radu, koja služe kao pomoć pri postizanju sklada u razmještaju elemenata na fotografiji i ostvarenju umjetnikove namjere, prisutna su, barem u određenoj mjeri, na svim umjetničkim fotografijama analiziranim u ovome radu. Umjetnost kao pomalo mistična ljudska djelatnost, pokazala se izrazito kompleksnom temom za objektivno istraživanje te je s toga, kako bi se očuvao integritet rada, najprije bilo potrebno vrlo jasno definirati okvire rasprave i način pristupa. Taj problem rješen je kroz podjelu umjetnosti na subjektivnu i objektivnu čime je postalo moguće fenomen objasniti cjelovitije.

Item Type:	Master's thesis - Graduate Programme
Mentor name:	Mikota, Miroslav
Thesis Committee:	Žiljak Stanimirović, Ivana and Mikota, Miroslav and Mrvac, Nikola
Defence date:	26 September 2017
Abstract in english:	The topic of this paper is a deep analysis of composition as a concept in art and its role and significance in art photography. This theoretical research paper is based on studying existing literature about art and the effect of visual stimuli on humans, aswell as applying that knowledge in the field of photography. Using the method of analysis, the problem is approached by breaking it up into its basic components to be thoroughly studied with the intention of describing the importance of composition in the visual arts, especially in art photography. The topic is interdisciplinarily researched and spans through the fields of psychlogy, biology, physics, philosophy and the technical sciences of photography. It is concluded that the human brain interprets beauty as something of evolutionary importance, in other words, as being good for the well being of that organism, which is, very often, found to be symetry, harmony and balance. The rules and principles of composing described in this paper, that serve as help in achieving those qualities in an artistic composition, and helping the artist communicate his intent, have been found in all art photograps analysed in this paper. Art, as a somewhat mystical human activity, showed itself to be an extremely complex topic to objectively research, hence, to preserve the integrity of the work, a very clear framework of discussion and approach needed to be defined. That problem was solved with the categorisation of art into subjective and objective to be able to more holistically explore and explain the problem in both categories.
Uncontrolled Keywords:	Umjetnička fotografija, kompozicija, subjektivna umjetnost, objektivna umjetnost
Keywords in english:	Art photography, composition, subjective art, objective art
Subjects:	TECHNICAL SCIENCES > Graphic Technology
Institution:	Grafički fakultet
City:	Zagreb
Number of Pages:	58
Callnumber:	MIK 2017 UJD
Inventory number:	DB664
Depositing User:	Nina Jelača
Status:	Unpublished
Date Deposited:	29 Jan 2018 10:10
Last Modified:	29 Jan 2018 10:10
URI:	http://eprints.grf.unizg.hr/id/eprint/2794

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