Ilustracija majstora secesije Alphonsa Muche

Škrlec, Ana (2018) Ilustracija majstora secesije Alphonsa Muche. Baccalaureus work - Undergraduate programme. Grafički fakultet. [Mentor: Jurković, Vanda].

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Abstract

Alphonse Mucha je slikar i ilustrator, inventivni majstor s kraja XIX.st. i početka XX. st., perioda poznatog pod austrijskim nazivom secesija. Secessio, lat. znači izdvajanje, odvajanje, misleći ovdje na pokret umjetnika koji se želio odvojiti od akademske umjetnosti XIX st. u oponašanju uzora. U svom je bogatom umjetničkom radnom vijeku slikao, crtao, ilustrirao knjige i časopise, plakate, dekorativne panele, skice za nakit, dizajn ambalaže, radio po narudžbama freske, slikarska platna itd. Školovao se u Akademiji likovnih umjetnosti u Münchenu, Akademiji Julian u Parizu te Academiji Colorossi u Parizu. Kroz stručnu izobrazbu savladao je vještine crtanja i slikanja i usavršio prikaze draperije, izraze lica, posebno ruku. Poseban dar iskazao je u ilustriranju i litografiji za plakate te u primjenjemom slikarstvu. Značajne knjige koje je ilustrirao su: Adamite, Scènes et épisodes de l´histoire d´Allemagne, Mémoires d´un éléphant blanc, Ilsée, Princesse de Tripoli te Le Pater. Prekretnica njegovog života dolazi sa plakatom Gismonda, zahvaljujući kojem je preko noći postao poznat. Njegovi plakati uvijek djeluju raskošno sa blagim, pastelnim bojama. Unutar njegovog rada dominira izričita linearnost, koja omogućava crtežu kompozicijsku i izražajnu osobnost. Njegova umjetnost iskazuje specifičan smisao za dekorativnost i eleganciju.

Item Type:	Baccalaureus work - Undergraduate programme
Mentor name:	Jurković, Vanda
Thesis Committee:	Brozović, Maja and Jurković, Vanda and Dolić, Jurica
Defence date:	18 September 2018
Abstract in english:	Alphonse Mucha was a painter and illustrator, an innovative artist from the end of the 19th and the beginning of the 20th centuries, a period known under the Austrian name Secession. In Latin, secessio means ‘separation’ and here stands for the movement of artists who wanted to separate from the academic art of the 19th century that imitated its role models. During his rich artistic life, he painted, drew, and illustrated many books and magazines, posters, decorative panels, sketches for jewellery and designs for packaging. He produced commissioned frescos and canvases, etc. He received his formal training at Munich Academy of Fine Arts and continued his studies at Academie Julian and Academie Colorossi in Paris. During his professional education, he mastered drawing and painting, and perfected the display of drapery, facial expressions and especially hands. He was gifted in illustrating and lithography for posters and applied arts. Some of the major books he illustrated are Adamite, Scènes et épisodes de l´histoire d´Allemagne, Mémoires d´un éléphant blanc, Ilsée, Princesse de Tripoli and Le Pater. A great turning point in his life was poster Gismonda, which made him famous overnight. His posters always look luxurious in mild pastel, colours. His work is dominated by strict linearity that provides the drawing with compositional and emphatic identity. His artwork displays a specific sense of decorativeness and elegance.
Uncontrolled Keywords:	secesija, Gismonda, litografije za plakate, ilustracije za knjige, dekorativni paneli
Keywords in english:	Art Nouvaeu, Gismonda, lithographic posters, books illustrations, decorative panels
Subjects:	TECHNICAL SCIENCES > Graphic Technology
Institution:	Grafički fakultet
City:	Zagreb
Number of Pages:	38
Callnumber:	JUR 2018 ŠKR
Inventory number:	Z863
Depositing User:	Nina Jelača
Status:	Unpublished
Date Deposited:	20 Nov 2018 12:03
Last Modified:	20 Nov 2018 12:03
URI:	http://eprints.grf.unizg.hr/id/eprint/2883

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