Vuzdar, Ivan (2018) Primjena koncertne fotografije. Master's thesis - Graduate Programme. Grafički fakultet. [Mentor: Mikota, Miroslav].
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Abstract
Tema ovog diplomskog rada je “Primjena koncertne fotografje”. Diplomski rad bavi se primjenom procesa slikanja digitalne fotografje u koncertnim okruženjima. Također, analizirat će se načini, metode i tehnike fotografranja koncertnih događaja u različitim uvijetima. Razvojem tehnologija digitalne fotografje te primjenom već poznatih metoda fotografranja, koncertna fotografja je kroz posljednja 2 desetljeća dosegnula nove razine kvalitete i kompozicije. U radu se provodi analiza digitalnih fotografja kroz tehničke i umjetničke aspekte, u svrhu defniranja nekih optimalnih uvjeta. Oni čine fotografju kvalitetnom i to kroz više različitih parametara, kao što su: otvor objektiva, osjetljivost, brzina zatvarača i slično. U teorijskom dijelu diplomskog rada postavljena je pretpostavka koji će se parametri koristiti u zadanim situacijama, a analizom i usporedbom fotografja snimljenih na koncertima pokušat će se defnirati optimalni parametri.
| Item Type: | Master's thesis - Graduate Programme |
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| Mentor name: | Mikota, Miroslav |
| Thesis Committee: | Mrvac, Nikola and Mikota, Miroslav and Matijević, Mile |
| Defence date: | 25 September 2018 |
| Abstract in english: | Subject of this master thesis is “Applcation of concert photography”. Thesis engages into applying the processes of taking digital photos in concert ambient. Moreover, methods, techniques and ways of taking photos in such events are compared and analized. With the development of digital photography technologies, along with the conventional methods, concert photography has evolved in the last 2 decades, thus reaching new levels of quality and composition. In this thesis what is analized is digital photography through technical and artistic aspect, with goal to defne optimal conditions for taking photographs. These conditions, therefore, defne a photo with quality with different parameters such as: aperture, ISO number, shutter speed and such. In theoretical part it is assumed which parameters will be used in default situations; and with the analisis of shots taken during concerts, the experimental part attempts to defne optimal parameters for these situations. |
| Uncontrolled Keywords: | koncertna fotografja, digitalni fotoaparat, fotografja u slabim svjetlosnim uvijetima, fotografja na otvorenom |
| Keywords in english: | Concert photography, digital camera, photography in low light ambient, open world photography |
| Subjects: | TECHNICAL SCIENCES > Graphic Technology |
| Institution: | Grafički fakultet |
| City: | Zagreb |
| Number of Pages: | 34 |
| Callnumber: | MIK 2018 VUZ |
| Inventory number: | DB764 |
| Depositing User: | Nina Jelača |
| Status: | Unpublished |
| Date Deposited: | 16 Jan 2019 09:34 |
| Last Modified: | 16 Jan 2019 09:34 |
| URI: | http://eprints.grf.unizg.hr/id/eprint/2973 |
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