Mandurić, Margareta (2019) Ratna fotografija. Baccalaureus work - Undergraduate programme. Grafički fakultet. [Mentor: Mikota, Miroslav].
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Abstract
Ratna fotografija za cilj ima što realnije i što vjerodostojnije prikazati rat onakvim kakvim je. Otkad je fotografija došla na područje rata, od tada se teži plasiranju te fotografije u javnost. Unatoč tehničkim mogućnostima i nedostupnosti fotografske opreme tada, povijest je izrodila brojne ratne fotografe i fotografije, a kako je tehnologija išla naprijed, tako se broj fotografa i fotografija povećavao. No, nije se povećavao samo broj fotografija već i njihova eksplicitnost, a tako i njihova raširenost. Fotografija sama po sebi, pa tako i ratna fotografija podložna je različitim manipulacijama. Kroz povijest je to bilo namještanje scena prije snimanja, a danas razne modifikacije nakon, što zapravo i nije začuđuće s obzirom na informacije koje ona može nositi. Iz istog razloga nailazi na kojekave cenzure, no to, kao ni opasnosti, ne spriječava ratne fotografe da obavljaju svoj posao i nastave donositi svijetu istinu o ratu.
| Item Type: | Baccalaureus work - Undergraduate programme |
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| Mentor name: | Mikota, Miroslav |
| Thesis Committee: | Matijević, Mile and Mikota, Miroslav and Mrvac, Nikola |
| Defence date: | 20 September 2019 |
| Abstract in english: | War photography has for its goal to present war as realistic as possible. Since photography found its way to the war, it aspires to be put in the public. Despite the technical possibilities and unavailability of photography equipment in the history, there was many war photographers and photographs. Alongside technology, the number of photographers and photographs grew bigger and so is the explicitness of photographs content and its outspread in the media. War photography, as photography itself, is prone to different kinds of manipulation. Troughout history it was staging the scenes before taking a photograph, but today it is modifying it after taking it, which is not surprising considering the information that it can carry. For the same reason, it can be censored or banned, but neither that nor the danger prevent photographers to do their job properly and continue serving the truth about war. |
| Uncontrolled Keywords: | rat, ratna fotografija, informacija, manipulacija |
| Keywords in english: | war, war photograpy, information, manipulation |
| Subjects: | TECHNICAL SCIENCES > Graphic Technology |
| Institution: | Grafički fakultet |
| City: | Zagreb |
| Number of Pages: | 29 |
| Callnumber: | MIK 2019 MAN |
| Inventory number: | Z952 |
| Depositing User: | Nina Jelača |
| Status: | Unpublished |
| Date Deposited: | 13 Dec 2019 10:37 |
| Last Modified: | 13 Dec 2019 10:37 |
| URI: | http://eprints.grf.unizg.hr/id/eprint/3063 |
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