Babić, Lovorka (2020) Stop-animacija u eksperimentalnom filmu. Master's thesis - Graduate Programme. Grafički fakultet. [Mentor: Koren Ivančević, Tajana].
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Abstract
Ovaj diplomski rad temelji se na stop-animaciji u eksperimentalnom filmu, kroz vizualnu i tehničku razradu. U radu je istražen problem korištenja stop-animacije u eksperimentalnom filmu, te utjecaj stop-animacije na samu radnju i dinamiku filma. U radu je pisano o povijesti stop-animacije i eksperimentalnog filma u svijetu i kod nas. U teorijskom dijelu analizirani su odabrani eksperimentalni filmovi i filmovi stopanimacije, te autori. U eksperimentalnom dijelu napravljen je kratki film temeljen na prikupljenim podacima. Opisan je proces izrade vlastitog filma te ispitan utjecaj same tehnike na radnju i dinamiku filma. Stop-animacija je jedna od tehnika animacije. Tehnika obuhvaća fotografiranje velikog broja fotografija. Objekt se pomiče nakon svakog fotografiranja, te se u produkciji spajanjem fotografija stvara iluzija pokreta.Glavna karakteristika eksperimentalnih filmova koji se često u literaturi nazivaju i avangardnim, jest ta da nemaju stroga pravila niti strukturu. Radnja često ima neočekivane preokrete te postoji faktor iznenađenja. Ponekad se zbog tehničkih razloga ne može predvidjeti kako će film završiti. Najčešća zajednička poveznica im je da je redatelj ujedno i producent, te montažer i snimatelj, te da su niskobudžetni. Takav film omogućava istraživanje ideja i tehničkih mogućnosti.
| Item Type: | Master's thesis - Graduate Programme |
|---|---|
| Mentor name: | Koren Ivančević, Tajana |
| Thesis Committee: | Rudolf, Maja and Koren Ivančević, Tajana and Stanić Loknar, Nikolina |
| Defence date: | 22 September 2020 |
| Abstract in english: | This thesis is based on stop-motion animation in experimental film, through visual and technical elaboration. The paper investigates the problem of using stop-animation in experimental film, and the influence of stop-animation on the action and dynamics of the film. The paper investigates about the history of stop-motion animation and experimental film in the world and in our country. In the theoretical part, selected experimental films and stop-motion films, as well as authors, are analyzed. In the experimental part, a short film based on the collected data was made. The process of making one's own film is described, and the influence of the technique itself on the plot and dynamics of the film is examined. Stop-animation is one of the animation techniques. The technique involves photographing a large number of photographs. The subject moves after each shot, and in production, merging the photos creates the illusion of movement. The main characteristic of experimental films, which are often called avant-garde in the literature, is that they do not have strict rules or structure. The plot often has unexpected twists and there is a surprise factor. Sometimes for technical reasons it is not possible to predict how the film will end. The most common link they have is that the director is also a producer, and an editor and cameraman, and that they are low budget. Such a film enables the exploration of ideas and technical possibilities. |
| Uncontrolled Keywords: | eksperimentalni film, stop-animacija, fotografija |
| Keywords in english: | experimental film, stop-motion, photography |
| Subjects: | TECHNICAL SCIENCES > Graphic Technology |
| Institution: | Grafički fakultet |
| City: | Zagreb |
| Number of Pages: | 62 |
| Callnumber: | KOR 2020 BAB |
| Inventory number: | DB890 |
| Depositing User: | Nina Jelača |
| Status: | Unpublished |
| Date Deposited: | 16 Dec 2020 10:10 |
| Last Modified: | 16 Dec 2020 10:10 |
| URI: | http://eprints.grf.unizg.hr/id/eprint/3275 |
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