Grbić, Tajana (2020) Intermedijalnost kazališne fotografije. Master's thesis - Graduate Programme. Grafički fakultet. [Mentor: Mikota, Miroslav].
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Abstract
Kazališna fotografija jest umjetničko viđenje drugih umjetnosti, u ovom slučaju scenske izvedbe i svih umjetničkih elemenata koji ju sačinjavaju (kostimografija, scenografija, rekvizita, dizajn rasvjete itd.). Kroz kratki povijesni pregled, dobivamo uvid o tome kako je fotografija utjecala na sliku glumca u društvu, ali i gdje je sve ona važna bilo na sceni i izvan nje. Rad prolazi kroz teorijska razmišljanja o kazališnoj fotografiji kao dokumentu za analizu kazališnog čina, te kao mediju s obilježjima koja nadilaze dokumentaciju. Dramaturška istraživanja društva i njihova implementacija u scenske izvedbe fotografiji omogućavaju infiltraciju u kazališnu izvedbu. Rad daje primjere i ovog vida intermedijalnosti kazališne fotografije. Snimanje dramskog performansa se može održati u kazališnoj dvorani u kontroliranim (ali nepredvidivim) svjetlosnim uvjetima ili, rjeđe, pod prirodnim svjetlom, prilikom dnevnih izvedbi. Eksperimentalni dio rada prolazi kroz neke osnovne specifikacije fotoaparata te prikazuje njihovu međuovisnost i kako se one ponašaju u uvjetima slabog osvjetljenja tipičnog za kazališnu izvedbu. Publika doživljava kazališnu izvedbu na različite načine pa je tako zanimljivo proći i kroz neka pravila kadriranja kojima se dobivaju tetralni prikazi i van teatra – u fotografiji.
| Item Type: | Master's thesis - Graduate Programme |
|---|---|
| Mentor name: | Mikota, Miroslav |
| Thesis Committee: | Dragčević, Krešimir and Mikota, Miroslav and Jurečić, Denis |
| Defence date: | 23 September 2020 |
| Abstract in english: | Theatrical photography is an artistic vision of other arts, in this case stage performance and all the artistic elements that make it up (costume design, scenography, props, lighting design, etc.). Through a brief historical overview, we get an insight into how photography has affected the image of the actor in society, but also, where else is it important whether on stage or outside of it. The paper goes through theoretical reflections on theatrical photography as a document for the analysis of a theatrical act, and as a medium with features that go beyond documentation. Dramaturgical research of the society and its implementation in stage performances, enable infiltration of photography into theatrical performance. This thesis gives examples of this type of intermediality of theatrical photography. The act of capturing a dramatic performance can take place in a theater hall in controlled (but unpredictable) lighting conditions or, less frequently, under natural light, during daytime performances. The experimental part of the paper goes through some basic camera specifications and shows their interdependence and how they behave in low light conditions typical of theatrical performance. The audience experiences theatrical performance in different ways, so it is so interesting to go through some framing rules that give a certain dramatic acpect of theatrical performances outside the theater - in photography. |
| Uncontrolled Keywords: | kazališna fotografija, intermedijalnost, mediji, umjetnost, svjetlost |
| Keywords in english: | theare photography, intermediality, media, art, light |
| Subjects: | TECHNICAL SCIENCES > Graphic Technology |
| Institution: | Grafički fakultet |
| City: | Zagreb |
| Number of Pages: | 80 |
| Callnumber: | MIK 2020 GRB |
| Inventory number: | DB906 |
| Depositing User: | Nina Jelača |
| Status: | Unpublished |
| Date Deposited: | 03 Mar 2021 10:01 |
| Last Modified: | 03 Mar 2021 10:01 |
| URI: | http://eprints.grf.unizg.hr/id/eprint/3292 |
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