Klaić, Vedrana (2012) Posebne fotografske tehnike i njihove simulacije. Master's thesis - Graduate Programme. Grafički fakultet. [Mentor: Mikota, Miroslav].
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Abstract
Stvaranje fotografije je proces koji počinje snimanjem ili fotografiranjem, a završava razvijenim negativom ili pozitivom. U ovom radu se obraĎuju posebne fotografske tehnike i alternativni procesi razvijanja fotografija. Analiziraju se fotografske tehnike kroz povijest i mogućnost simulacije tih tehnika u danas aktualnim fotografskim sustavima. Zatim se obraĎuju posebne fotografske tehnike čije korištenje omogućuje kreativnu izražajnost i korekciju pogrešaka nastalih pri primjeni osnovnih tehnika. Ovdje su navedene najvažnije tehnike koje pokazuju kako njihova primjena otvara potpuno nove mogućnosti u fotografiji. Manipulacijom fotografije u fotografskim laboratorijima, fotografija je dobila novu dimenziju prelazeći iz dokumentarne (egzaktne) u ilustrativnu kategoriju. Time se otvorio put manipulaciji fotografije kao iskaza. Dolaskom digitalizacije ti isti efekti su više ili manje uspješno simulirani na računalu te kroz svoju postupnu remedijaciju otvorili novu dimenziju fotografije.
Item Type: | Master's thesis - Graduate Programme |
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Mentor name: | Mikota, Miroslav |
Defence date: | 1 March 2012 |
Abstract in english: | The creation of a photo is a process that starts with shooting or taking photos, and ends with a developed negative or positive. In this thesis we have discussed special photographic techniques and alternative processes of developing photos. Photographic techniques have been analysed as they appeared through the history, as well as the possibility to simulate those techniques in the current photographic systems. Afterwards, we elaborated on particular photographic techniques whose usage enables a creative expression and correction of mistakes made when applying the basic techniques. We have mentioned the most important techniques that show how their usage opens a whole new world of possibilities in photography. By manipulating a photo in a photo lab, the photography has reached a new dimension passing from a documentary (exact) to an illustrative category. That opens a way to manipulation of a photo as a statement. With the arrival of digitalization, these effects are more or less successfully simulated on the computer and they have, due to their gradual remediation, opened a new dimension of photography. |
Uncontrolled Keywords: | fotografija, povijesne tehnike, fotografski procesi, digitalna simulacija |
Keywords in english: | photography, historic techniques, photographic processes, digital simulation |
Subjects: | TECHNICAL SCIENCES > Graphic Technology |
Institution: | Grafički fakultet |
City: | Zagreb |
Number of Pages: | 67 |
Callnumber: | mik 2012 kla |
Inventory number: | DB65 |
Status: | Unpublished |
Date Deposited: | 15 Nov 2013 21:39 |
Last Modified: | 24 Apr 2014 12:44 |
URI: | http://eprints.grf.unizg.hr/id/eprint/900 |
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