Fantastična fotografija

Klarić, Anamaria (2013) Fantastična fotografija. Master's thesis - Graduate Programme. Grafički fakutet. [Mentor: Mikota, Miroslav].

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Abstract

Sredinom pedesetih godina fantastika se postupno afirmirala na obje strane Atlantika. Snimatelji su najprije upotrijebili fotoaparat za postizanje krajnjih vizualnih efekata, primjenjujući posebne leće i filtre kako bi promijenili izgled snimljenoga, katkad do neprepoznatljivosti. Ali od sedamdesetih godina počeli su primjenjivati uglavnom tiskarske tehnike, a rezultati su često bili više nego zapanjujući. Ovakvo manipuliranje fotografijom prvi je uporabio engleski fotograf njemačkog podrijetla – Bill Brandt. Njegove fotodokumentacije su često režirani na način da prenose osobni komentar društvene stvarnosti po uzoru na komentare iz vremena Viktorijanske književnosti. Amerikanac Jerry Uelsmann, pored svojih veselih fotografija, često koristi arhetipske slike iz podsvijesti u nasumičnom izrazu ostvarujući slike prepune psiholoških simbola. Joanne Leonard 1980-tih, koristi fantastične slike kao autobiografski izraz, te potresne fotografije pokojnog Davida Wojnarowicza, a fotografski opus talijanskog fotografa Augusta De Luce obilježile su slike koje su u svezi s fotografskim eksperimentiranjem. Cilj rada je objediniti saznanja o autorima i tehnikama te načinima izražavanja kroz različite periode te ih prikazati kroz zajednički nazivnik fantastična fotografija.

Item Type:	Master's thesis - Graduate Programme
Mentor name:	Mikota, Miroslav
Defence date:	26 September 2013
Abstract in english:	In the mid-fifties, fiction gradually asserted itself on both sides of the Atlantic. Cameramen were the first use the camera to achieve final visual effects, using special lenses and filters to alter the look of their recordings, sometimes beyond recognition. However, since the seventies they have begun to apply mainly printing techniques, and the results were often more than stunning. Such manipulation of images was first used by the English photographer of German origin - Bill Brandt. His photographic documentation was often used to convey a personal comment on social reality, modeled on the comments from the time of Victorian literature. American Jerry Uelsmann, along with his cheerful photographs, often used archetypal images of the subconscious in a random expression, creating images laden with psychological symbols. Joanne Leonard (1980s), used stunning visuals as autobiographical expression, and disturbing images of the late David Wojnarowicz and a photographic opus of Italian photographer Augusta De Luce marked images that are related to his photographic experimenting. The aim of this paper is to consolidate information about the authors, the techniques and forms of expression through the common denominator of stunning photos.
Uncontrolled Keywords:	fantastika, eksperiment, manipulacija, tiskarske tehnike
Keywords in english:	fantastic (stunning), experiment, manipulation, printing techniques
Subjects:	TECHNICAL SCIENCES > Graphic Technology
Institution:	Grafički fakutet
City:	Zagreb
Number of Pages:	64
Callnumber:	mik 2013 kla
Inventory number:	DB297
Depositing User:	Dora Budić
Status:	Unpublished
Date Deposited:	16 Apr 2014 07:41
Last Modified:	16 Apr 2014 07:41
URI:	http://eprints.grf.unizg.hr/id/eprint/1548

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