Tehnički aspekti i semantika fotografije krupnog plana

Begović, Marin (2013) Tehnički aspekti i semantika fotografije krupnog plana. Master's thesis - Graduate Programme. Grafički fakutet. [Mentor: Mikota, Miroslav].

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Abstract

Plan predstavlja odnos glavnog objekta na fotografiji i okoline te kao takav ima veliku ulogu pri samom kadriranju u fotografiji uz rez i rakurs. U sferi fotografije postoje različiti tipovi planova kao što su total plan, srednji plan, krupni plan i detalj. U ovom radu obrađuje se pojam krupnog plana u fotografiji. U teoretskom dijelu obrađuje se tehnički aspekt dobivanja fotografije krupnog plana kao i definiranje podtipova fotografije krupnog plana kao što su makrofotografija, mikrofotografija i close-up fotografija. Također se obrađuje problematika semantike fotografije krupnog plana kao i kompozicijski aspekt pri izradi same fotografije. U praktičnom dijelu rada izrađuju se fotografije u kojima se pri samom snimanju te završnoj obradi koristite prikupljena znanja i tehnike s područja close-up i makro fotografije koje su prethodno obrađene u teoretskom dijelu rada, primjenjujući pritom i znanja s područja semantike i kompozicije fotografije krupnog plana, isključujući snimanje mikrofotografija zbog visokih tehničkih zahtjeva. Temeljem teoretskih razmatranja snimaju se fotografije krupnog plana koristeći pritom različite rezove i rakurse te se shodno tome analiziraju tehnički i semantički.

Item Type:	Master's thesis - Graduate Programme
Mentor name:	Mikota, Miroslav
Defence date:	1 March 2013
Abstract in english:	Shot (by field size) represents the main object in image in respect to its surroundings, and therefore plays a very important role when framing a photograph in addition to aspect ratio and camera angle. There are several different types of shots in photography, for example: long shot, full shot, medium shot, close-up and extreme close-up. This thesis has a main focus on close-up shot in photography. First part of thesis is about technical reqirements for close-up photography and defining sub types of close-up photography like macrophotography, microphotography and close-ups. Semantic issues as well as composition itself were also analysed. The second part of thesis is about merging gained knowledge about close-up and macro photography, composition and semantics discussed in the first part of thesis into photographs. Microphotography was not included due to high technical requirements. Close-up and macro photographs were taken with varying aspect ratios and with different camera angles and were technicaly and semantically analysed thereafter.
Uncontrolled Keywords:	fotografija krupnog plana, kompozicija, semantika, makrofotografija, mikrofotografija
Keywords in english:	close-up photography, composition, semantics, macrophotography, microphotography
Subjects:	TECHNICAL SCIENCES > Graphic Technology
Institution:	Grafički fakutet
City:	Zagreb
Number of Pages:	67
Callnumber:	mik 2013 beg
Inventory number:	DB235
Depositing User:	Dora Budić
Status:	Unpublished
Date Deposited:	16 Apr 2014 11:09
Last Modified:	16 Apr 2014 11:09
URI:	http://eprints.grf.unizg.hr/id/eprint/1579

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