Stereografija

Šimek, Ina (2013) Stereografija. Diploma work - Pre-Bologna programme. Grafički fakutet. [Mentor: Strgar Kurečić, Maja].

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Abstract

Tema ovog diplomskog rada je stereografija – efekt prostornosti odnosno trodimenzionalnosti na posebno snimljenoj i prezentiranoj fotografiji. U radu će se prikazati i objasniti procesi koji dovode do stvaranja privida trodimenzionalnosti fotografiranog motiva. Stereografija je posebna tehnika fotografskog snimanja koja omogućuje da promatrač pomoću fotografije doţivi prostor kako ga mozak vidi prijenosom informacija iz oba oka. U teorijskom dijelu rada biti će riječi o postanku stereografije i njenom korištenju kroz povijest, od prije postanka fotografije, pa do danas. Opisat će se prve stereografije iz 19.stoljeća, te one kasnije, koje su se komercijalizirale na prijelazu s 19. u 20.stoljeće. Predstavit će se i one novijeg datuma, koje se koriste za npr. postizanje bolje preglednosti u raznim granama znanosti, ili kao koristan alat kod npr. snimanja iz zraka za vojne potrebe. TakoĎer će se objasniti princip rada stereoskopa, koji će se ilustrirati i pomoću odabranih muzejskih primjeraka. Opisat će se načini stvaranja stereoskopskih fotografija nekad i danas, uz objašnjenje pojava u oku i mozgu, koje kod promatrača omogućuju percepciju stereoskopske slike. Pojasnit će se karakteristike stereoskopskih fotoaparata te način prezentiranja i gledanja stereoskopske fotografije. Kao praktičan primjer prezentirat će se odabrane stereoskopske slike i vlastite fotografije.

Item Type:	Diploma work - Pre-Bologna programme
Mentor name:	Strgar Kurečić, Maja
Defence date:	31 October 2013
Abstract in english:	The subject of this thesis is stereography – the effect of spatiality i.e. three dimensionality on a photograph that was taken and presented in a particular way. In this thesis processes that create the illusion of three dimensionality of the photographed object will be demonstrated and explained. Stereography is a special technique of taking photographs, that allows the observer to experience the space through the photo, the way the brain sees it by transferring information from both eyes. In the theoretical part of the paper the origin of stereography will be discussed, as well as it's use throughout the history, from before the invention of photography, to the present. The first stereographs from the 19th century, and the later ones, which were commercialized at the turn of the 19th to the 20th century will be described. The ones of a later date, that are used for achieving better visibility in various branches of science, or as a useful tool in e.g. aerial photographing for military purposes, will also be described. The working principle of the stereoscope will be explained and illustrated through selected museum specimens. The ways of creating stereoscopic images today and in the past will be described, along with an explanation of phenomenon that happens in the eyes and in the brain, and which allows the viewer to perceive stereoscopic images. The characteristics of stereoscopic cameras will be explained, as well as the method of presenting and viewing stereoscopic images. As a practical example, selected stereoscopic images and author's photos will be presented.
Uncontrolled Keywords:	stereografija, trodimenzionalnost, fotografija, stereoskop
Keywords in english:	stereography, three dimensionality, photography, stereoscope
Subjects:	TECHNICAL SCIENCES > Graphic Technology
Institution:	Grafički fakutet
City:	Zagreb
Number of Pages:	75
Callnumber:	str 2013 šim
Inventory number:	D1056
Depositing User:	Dora Budić
Status:	Unpublished
Date Deposited:	18 Apr 2014 08:28
Last Modified:	18 Apr 2014 08:28
URI:	http://eprints.grf.unizg.hr/id/eprint/1683

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